Seschat cam live
Note that Thoth's name in ancient Egyptian writing was actually conveyed by symbols specifying the sounds Dhwty or Djehuty (Wallis Budge spells it TEHUTY in a footnote on this page of his Legends of the Gods, from 1912).As has been argued elsewhere, this formulation actually relates to the name DAVID or DAOUD.She was shown recording the booty gained by kings in battle, perhaps as a reminder that a share was due to the gods.Seshat was even said to descend into the underworld to record everything in the realm of the dead. It stands to reason that a society which fails to acknowledge the realm of the gods, in which those in power try to seize the blessings from the gods for themselves alone, is dishonoring the goddess Seshat, and embarking upon the disastrous path of Midas instead.He writes: Seshat, also called Sefhet, which means seven, is the female counterpart of Thoth, therefore mistress of measure, and always attends the foundation ceremonies of the temples. She is carrying a tall notched staff, usually identified as the stripped central rib of a palm frond, notched with sixty-four notches (and with a sacred shen symbol beneath it, which is pointed-out and discussed on pages 38 - 39 of Ancient Egypt: the Primal Age of Divine Revelation, Volume I, by Mostafa Elshamy, in images which you can see online here).She is also in the act of writing, apparently upon the notched palm-rib, with a reed.A stretched cord, vibrated, will produce a certain frequency and a specific wavelength: if the length of that cord is changed (as by a finger pressing down on a guitar fret or a violin string), then the frequency and the wavelength will change. .] Phenomena tend to completion in seven stages, or are complete within their specific stage. It is the harmonic scale, and the human function of hearing, that give us direct access into the process of growth, of creativity manifesting itself. Stop the string at its midpoint and set it vibrating. Division in two results in an analogue of the original unity. In that image, we see the goddess -- who is characteristically depicted as tall and slender and very beautiful -- wearing the leopard-skin that denotes priestly function (and which is also associated with the symbology of Dionysus and of the sadhus of India, as discussed in this previous post); the two flaring lines at the bottom of her dress are probably stylized representations of the two legs of the leopard-skin, and this iconography is characteristic of depictions of the goddess Seshat.As the brilliant John Anthony West observes in Spirit in the Sky: The High Wisdom of Ancient Egypt, the name and symbology of the goddess directly implies her connection to wavelength and to harmonious music. Thus it is clear that the correspondence between seven (harmony) and measure was known to Egypt from the onset. It is for this reason -- not chance or superstition -- that led the Pythagoreans explicitly, and the Egyptians implicitly, to employ the harmonic scale as the perfect instrument for teaching and demonstrating the workings of the cosmos. In the imagery above, we see Seshat holding two linear implements, which are both indicative of her role as divine goddess of measure and record, and also (as we shall see) clues to her probable celestial identity -- a celestial identity which has gone unremarked-upon in any of the literature which I have examined, but which will become fairly obvious in a moment.
The god Thoth and the goddess Seshat inhabit the Invisible Realm, the Divine Realm, the Spirit World, the realm of the gods.Foremost of these roles is that of recording the king's reign length: "her chief mission was to mark the king's life-period on the palm-stick. .] During the Fifth Dynasty her symbol is found in images of the royal jubilee, she is described as "Before the House of the Books of the Royal Offspring" and she records booty brought from abroad (Wainwright 1940, 32).To cut notches, or to make marks, on a stick is the earliest of all forms of keeping a count or tally, and of itself would suggest an origin in the time before writing proper had been invented" (Wainwright 1940, 32); she is frequently depicted with a notched central rib of a palm frond. Seshat's second important role was associated with the foundation ceremony for buildings (see Weinstein 1973 for discussion of the ceremony with references): she is repeatedly depicted performing the 'stretching of the cord' ritual in the company of the king. .] Seshat's role in the measurement of space and time is therefore clear.Note that the description of the roles of Seshat cited above points out that she is described in some ancient texts as counting out the wealth brought from abroad -- and some have suggested that implicit in this role was the admonition to the nation to be sure to give the gods their due part of all the increase, in recognition that the divine realm is the first source from which all increase flows.As goddess of writing, Seshat was the keeper of royal annals and genealogies.